This 2007 production of Verdi’s La Triata from Milan’s La Scala, with world-class singers and Lorin Maazel on the podium belongs among the best of the many fine DVD versions ailable. Its prime draw is soprano Angela Gheorghiu, whose 1994 Covent Garden assumption of the role of Violetta catapulted her to stardom. She doesn’t quite match the emotional power and vocal beauties of that performance but Gheorghiu does give us an intensely drawn portrait of the role and her voice remains in fine shape. Her acting has always been extraordinary and at La Scala she fully encompasses the doomed ; the last Act deeply touching. Her Alfredo Germont is Ramon Vargas, whose beautiful tenor voice and sensitive singing please the ear with sweet tones and individual phrasing that bring Verdi’s lines to life. Roberto Frontali as Alfredo’s father, the elder Germont, exhibits an imposing baritone voice, shading it beautifully in the scene where he convinces Violetta to give up his son. Frontali also shows commanding stage presence in the scene where he upbraids Alfredo for his ungentlemanly behior. Supporting roles are well taken and the La Scala orchestra’s contributions are positive, with some fine wind solos. Maazel paces the opera well and conjures beautifully shaped Preludes to Acts One and Three, which embody some of Verdi’s loveliest string music. The staging is traditional in Liliana Cani’s production, originally mounted in 1990 but still looking fine, albeit with some bits of superfluous stage business for the principles to occupy the eye and distract the ear. Dante Ferretti’s lish set designs are fitting, although one can question the presence of a bed and a billiard table in the drawing room of Violetta’s country house. Gabriella Pescucci’s costumes are suitable, but some of the military officers in the banquet scenes appear to be clad in doorman’s uniforms. Paola Longobardo’s video direction is excellent: No extraneous camera movements to draw attention away from the stage and close-ups of the singers are usually head-and-shoulders shots well framed with ample space to keep the singers in context. Cuts within an aria are excellently timed as well, on the beat or at a point of mood change. Despite hey competition from Gheorghiu’s Covent Garden DVD, Renee Fleming’s San Francisco Triata, and the often weirdly modernistic Salzburg production with Netrebko and Villazon, this fine La Scala DVD is a serious contender. 如果你想感受这段关于戏曲与选择的故事，不妨去正规平台搜索安吉拉·乔治乌电影《茶花女 (斯卡拉歌剧院)》在线高清版免费观看，部分平台还有未删减在线观看的资源，让你完整领略这部在线电影里的情感波动与成长感悟。它用细腻的戏曲提醒我们，心动是本能，选择是智慧，真正的成熟不是逃避诱惑，而是在诱惑面前守住内心的清明，就像故事里的男女主角一样，最终明白最该珍惜的是那份纯粹的情谊。